Early video artists tended to be those
involved with conceptual and performance art, and experimental film. These
include Americans Vito Acconci, John Baldessari, Peter Campus, Doris Totten
Chase, Joan Jonas, Bruce Nauman
and others. Others, like Steina Vasulka (born Steinunn Briem Bjarnadottir)
and Woody Vasulka, explored the video genre itself, utilizing synthesizers
to produce abstract works. Later exponents included Americans Sadie Benning,
Paul Chan, Gary Hill, Miranda July, Mary Lucier, Paul Pfeiffer and Eve
Sussman; the Canadians Colin Campbell, Stan Douglas, Lisa Steele, Bill
Viola and Rodney Werden. European video artists include the Germans Agricola
de Cologne, Dieter Froese, and Wolf Kahlen; the Poles Wojciech Bruszewski
and Miroslaw Rogala; the Britons Douglas Gordon, David Hall and Gillian,
the Italian Stefano Cagol, the Austrian Martin Arnold, the Swiss Pipilotti
Rist, and the Spaniard Domingo Sarrey.
Andy Warhol
produced a number of video films now regarded as part of the genre. Representative
sample of his works include: 'Sleep' (1963), depicting the 6-hour slumber
of the poet John Giorno; 'Empire' (1964), an 8-hour film of the Empire
State Building in New York City at dusk; and 'Eat', a 45-minute film showing
a man eating mushrooms. In 1966, he produced 'Chelsea Girls' consisting
of two films being projected at the same time, with a variable sound track
to update viewers on the twin plots. This use of multi-imaging echoed
Warhol's earlier multi-image silk-screen works like 'Twenty Marilyns'
(1962).
Peter Campus (b.1937), one of the
most important video artists of the 1970s, was a key innovator in studio
camera work and video technology. His work 'Three Transitions' employed
numerous processors, mixers and editors to record his own film-making.
Other works by Peter Campus include: Double Vision (1971), Interface (1972),
Three Transitions (1973), R-G-B (1974), Video Ergo Sum: Divide (1999),
Video Ergo Sum: Dream (1999), Edge of the Ocean (2003), Kathleen in Grey
(2004), Baruch the Blessed (2004).
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